Everything that goes wrong in Poltergeist stems from an act of desecration; the building of a cookie-cutter housing development on top of an old cemetery. Some might find the sheer act of attempting a remake of Poltergeist similarly disrespectful; the 1982 original is something of a masterpiece of suburban terror. But if viewers can look past the sheer audacity of attempting another Poltergeist, they’ll find a solid modernization, the cinematic equivalent of a decent cover version of a great rock song. It’s totally superfluous, and not nearly as satisfying as the original, but well-performed and effective in its own way. It’s nice (or, in this case, deeply unsettling) to revisit an old classic in a new arrangement.