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	<title>Rock 108 Real Rock Radio &#187; jane lynch</title>
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	<description>Real Rock Radio</description>
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		<title>&#039;Wreck-It Ralph&#039; Review</title>
		<link>http://keyj.com/wreck-it-ralph-review/</link>
		<comments>http://keyj.com/wreck-it-ralph-review/#comments</comments>
		<pubDate>Mon, 05 Nov 2012 13:22:04 +0000</pubDate>
		<dc:creator>Matt Singer</dc:creator>
				<category><![CDATA[jane lynch]]></category>
		<category><![CDATA[sarah silverman]]></category>

		<guid isPermaLink="false">http://screencrush.com/?p=60023</guid>
		<description><![CDATA[Movies allow us to experience life through another person&#8217;s eyes. Video games allow us to experience life through another person&#8217;s eyes &#8212; and to control their decisions. We spend hours upon hours with these video game characters, until we feel like we know them; Mario, Sonic, Pac-Man, their adventures are so memorable, and their personalities [...]]]></description>
			<content:encoded><![CDATA[<p>Movies allow us to experience life through another person's eyes. Video games allow us to experience life through another person's eyes -- and to control their decisions. We spend hours upon hours with these video game characters, until we feel like we know them; Mario, Sonic, Pac-Man, their adventures are so memorable, and their personalities so vivid that they almost seem alive. But of course their adventures and their personalities are all predetermined by programming, and they remain forever trapped by their unbreakable directives. If these characters weren't just a series of electronic impulses and computer code, it would be a tragic existence.</p>
<p>That, essentially, is the premise of '<a href="http://screencrush.com/tags/wreck-it-ralph/">Wreck-It Ralph</a>,' a manic children's film about the souls of video game avatars. Made by Disney, it greatly resembles the premise of Disney's (and Pixar's) modern classic '<a href="http://screencrush.com/tags/toy-story/">Toy Story</a>,' in which toys are revealed to have lives and thoughts of their own when no one's around to play with them. Here we learn that when a suburban arcade shuts down for the night, the characters inside all the games cross over into each other's universes to socialize.</p>
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		<title>Jane Lynch&#039;s 2011 Emmys Opening Number [VIDEO]</title>
		<link>http://keyj.com/jane-lynchs-2011-emmys-opening-number-video/</link>
		<comments>http://keyj.com/jane-lynchs-2011-emmys-opening-number-video/#comments</comments>
		<pubDate>Mon, 19 Sep 2011 03:16:45 +0000</pubDate>
		<dc:creator>Paula Kashtan</dc:creator>
				<category><![CDATA[Sports]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[emmys]]></category>
		<category><![CDATA[jane lynch]]></category>

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		<description><![CDATA[Jane Lynch opened the 63rd Emmy Awards with a song and dance number that took the audience through the world of television, reimagined as an inner-city apartment building housing all the top TV shows. Lynch walked through scenes of hit series like &#8216;Mad Men&#8216; (where she was asked to leave the room when she informed [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://thefw.com/tags/jane-lynch">Jane Lynch</a> opened the 63rd Emmy Awards with a song and dance number that took the audience through the world of television, reimagined as an inner-city apartment building housing all the top TV shows.</p>
<p>Lynch walked through scenes of hit series like &#8216;<a href="http://thefw.com/tags/mad-men">Mad Men</a>&#8216; (where she was asked to leave the room when she informed Don Draper that in 50 years people would be fast-forwarding through commercials) and &#8216;The Big Bang Theory&#8217; (where she learned that not <em>all</em> jokes merit canned laughter).</p>
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